Frequently Asked Questions
“Andy of Eyefood is a very talented photographer and a wonderful person. We are extremely pleased with how he captured our project. He listened and seamlessly translated our ideas into images.”
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In a nutshell, people hire me because I make photography that makes their brand stronger. I make consistently powerful and communicative commercial photographs through a seamless and enjoyable process.
Every Google review I have is 5 stars for a reason.
I have thirty years of experience, very high standards, and I focus on making certain the whole process is extremely easy.
Great photos get used more often and for longer. It’s way better value to come away with a handful of great photographs rather than hundreds of rushed shots.
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Every shoot is different, so to accurately quote for a photoshoot, we’ll need to have a quick chat about what you need, or you can fill out the enquiry form. I can lock down how long the shoot will take, and you decide how many photographs you want me to retouch in post-production.
I charge by the hour for photography and per image for post-production.
My photography packages offer an indicative starting point.
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Sorry, but no!
As the name suggests, RAW files are unfinished work, and my service is producing finished photography.
To ensure the consistency of my photography, I do all of the post-production/retouching, which is why every image that leaves my studio is impeccable.
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I don’t restrict your use of my photographs, so you don’t really need to own copyright.
My clients can use the photographs that I have put through post-production for as long as they want, and across all platforms. As the photographer, I automatically own the copyright to the photos I take, so you, the client, can not sell the photographs I have taken to a third party.
I supply proofs from each shoot, which are solely for the purpose of selecting photographs for post-production.
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Good preparation for a photoshoot is crucial.
Everything and everyone needs to be organised so we can run to plan; tidy staff in appropriate clothes, and a tidy venue with everyone ready to go.
I need to be chaperoned by an expert during the shoot to ensure that my photography is fulfilling your objectives and represents best practice in your field.
Make sure that we have enough time to do good work.
Building a balanced photograph that is well-lit and captures a good performance will take time. I work quickly, but I’ll need to shoot variations and have enough time to set up and pack down.
For outdoor photography, good weather is a magic ingredient. Dull light = dull photographs. We should only work in the best possible conditions. Don’t compromise on the outcome; you’ll have the photos for a long time.